Ok so I’ve found some more photos of scenery, this time from 2011. I think I was influenced by Van Gough for these. The harvest scenery was reused in 2013.
I hope the people putting up the scenery, the members of the cast, and my family don’t mind me using their images. I guess they have been shared a lot of times, and as this is 7 years ago they probably don’t look the same anyway!
So why Van Gogh…? It’s the energy in his paintings that I love, the swirl of atmosphere and emotion. Not all art has to be completely figurative or abstract. To me his work sits between the two. I dont know if the phrase magic realism even fits his type of art, but anyway, both he and many other artists from the same era, like Gauguin for instance, had revolutionised the way paintings were made.
I have to say I love the impressionists and the post Impressionists. As the society around them changed, they worked their magic on art. There are other schools of art, like fauvism and expressionism, cubism and surrealism. They all made a difference too. But I still think the Impressionists and post Impressionists are my favourites.
Anyway, perhaps I will stop posting scenery paintings…..
Looking on Facebook, memories pop up from years ago. These pictures were taken in July 2013. I’m not sure if I did all of them that year. I may have painted over an old one from a year or two before.
As on other occasions harvest was one of the themes. Also the industrialisation of Stoke on Trent, when canals were dug out and bottle ovens and kilns were built. I even had to paint a public house. (With working door!)
I’m not sure how many years I have done this for and its always a bit of a rush job, or my health hasn’t been good. But I feel so much part if my community that I won’t say no.
I would love to do more, make the flats more intricate, more like murals. But at the end of the day they are only on display for a few hours, one day in a year. Just as long as the scenery helps tell the story…..that’s what they are there for.
What can I say, I love patterns….drawing in one app then modifying it in another couple of apps. Then multiplying the images…….something in my brain makes me keep going, changing, creating new iterations. Playing with the colours, the tones, the sharpness of the images.
You don’t know when you start how they are going to turn out, but I want them to be satisfying. I do like to add spirals, curves and shading.
This afternoon (Saturday 7th July) I will be in the Mystery Play. This is the scenery that I have painted for it. The last photo is the two boards joined, the grey bars of cloud is not the finished effect because I decided to change them to flatter clouds. Unfortunately I could not take another picture because my phone went flat.
I have lost the book I was working from so I just tried painting cumulus and stratus clouds.
I think the looming clouds make it feel more oppressive. The play is about war, family, and woman’s equality. I hope it does work on the day.
Our play starts at 2 pm and only runs for 20 minutes, I think it will be good.
Just busy at the moment. I’m painting some of the scenery for our local mystery play next Saturday. The theme is the Tittensor Evictions by the Duke of Sutherland, and including two wars and the suffragette movement all in twenty minutes.
The scenery is based on a painting by Corot. I think it’s a landscape in the south of France. I’ve added a thatched cottage and there will be figures in the foreground. This is half of the panel (or flat as they call it in the theatre) its 8ft by 4ft. There will be another panel of the same size attached above it which of sky. I’m also going to add the hall where the Duke lived to this panel.
I’m painting with acrylics and emulsion on hard board. This took me about two hours to paint. I also have a sign to do…. so I will be very busy again!
The Mystery play has been happening for over 10 years now at Penkhull. It started out being purely religious but has taken on different themes over recent years, including one about the river Trent. Apparently it’s the largest community arts event in Stoke-on-Trent and there were 400 people participating in putting it on last year.
It’s on 7th July if you feel like coming along…
Paint is a wonderful thing, a riot of colours, a rainbow of tones.
Acrylic for ease of colour use, oil paint for staying damp to ease blending. Water colours for transparency and simplicity, Gouache for more opaque colours over watercolour. The types of paint are fascinating. Each has its own method and technique. Even paints such as emulsion and gloss can be used in Art, and of course spray cans are used for graffiti.
From millennia ago humans have made marks, on cave walls, on rocks, papyrus and paper. Canvas and screens. The need to make pictures seems to have been with us almost from the cradle. Children learn to draw at an early age. Scribbling, then with improved hand eye coordination comes drawing, painting, even writing. For what is language, it is an abstract representation of what was once pictograms. Egyptian hieroglyphics show the link between art and language.
Paint and art invade our society. Art and colour are used to design every day objects. Architecture is a form of art. We need artists and painters in our visual society. Art is there in video games, special effects, what colour your clothes or car will be next season. What palette you decide to use to decorate weddings and birthdays. The list is almost endless….
I found this digital drawing of a duck on my Facebook memories. It was drawn in ArtRage oils and I just liked the pattern for the feathers that I created so I took a section of it and duplicated it in the Layout app on my tablet. I then changed the colours slightly in an Instagram filter called Charmes I think.
I wanted to make a reflection pattern and this uses 16 sections of the original drawing turned and twisted. I think the bits at the top and the bottom look like small crabs and the central sections look like vegetation arching over a still pond.
I often draw birds, I love the way their eyes stare out at you. I love feathers, I used to draw them all the time as a child. I liked how the strands in them interlock. I have drawn peacocks and swans and lately painted crows. I would like to be able to paint birds in flight, its how their wings spread, and the feathers flutter and split as the wind flows through them. I like the iridescent colours that sparkle off the feathers, especially on birds such as peacocks.